The image titled "Dhruva" is a painting by Asit Kumar Haldar, an Indian artist born in 1890 in Jorasanko, Calcutta. This artwork, created in 1914, was published in "Myths of the Hindus & Buddhists." Haldar, a prominent figure of the Bengal Renaissance, was known for his versatility in various mediums such as lacquer, tempera, oil, watercolors, and photography. The painting, which reflects his deep engagement with Indian history and mythology, is currently featured on the Wikipedia page dedicated to Asit Kumar Haldar. The image can be found on the source website, Wikipedia.

The image titled "Buddhism" features a stunning Buddha bronze from the Gupta Vakataka period, showcasing the intricate artistry of ancient India. This remarkable artifact was discovered in New Delhi, India, and dates back to the Gupta Vakataka era. Currently, it is housed in the National Museum of New Delhi, allowing visitors to witness this exquisite piece of history up close. Captured by Angelo Hornak, the photo provides a detailed view of the statue, emphasizing its historical and cultural significance. The artwork, taken in 1980, remains a testament to the rich Buddhist heritage and craftsmanship of the period.

The "Vintage Print: Artist C.Kondiah Raju (set of 9)" showcases a collection of exquisite artworks by the renowned artist C.Kondiah Raju. These vintage prints are currently available at Thevar Art Gallery. Originating from the culturally rich region often associated with traditional South Indian art, these prints date back to a significant period of Indian art history, reflecting the religious and mythological themes prevalent during that time. Currently, this set is priced at ₹8,499.00 and is available for purchase at Thevar Art Gallery's website. Each print measures 200 × 50 × 200 mm and collectively weighs 0.3 kg.

The landscape of Mansar is as breathtaking as its archaeological significance. This image captures the serene beauty surrounding the excavation site, framed by lush greenery and the historical remnants of the past. Visitors are drawn not only by the excavation but also by the natural beauty that complements the rich history.

The image titled "Throne leg depicting gajasimha, Ganga dynasty, 13th century" showcases a remarkable ivory artifact from ancient India. This intricate throne leg, originating from the Ganga dynasty, features a detailed carving of a gajasimha—a mythical creature with the body of a lion and the head of an elephant, symbolizing strength and power. It was crafted in the 13th century and was discovered in India. Currently, this exquisite piece is preserved and displayed at the Freer Gallery of Art. The artifact's craftsmanship highlights the artistic sophistication and cultural heritage of the Ganga dynasty.

The image titled "Nagarjunakonda8.jpg" showcases a remarkable ancient artifact originating from the historical site of Nagarjunakonda, located in the Guntur district of Andhra Pradesh, India. This artifact dates back to the 3rd century CE, a time when Nagarjunakonda was a prominent center of Buddhism. The intricately carved sculpture reflects the artistic and cultural prowess of that era, depicting scenes from the life of the Buddha. Currently, this exquisite piece is housed in the Archaeological Museum at Nagarjunakonda, preserving its historical significance for future generations. The artifact provides invaluable insights into early Indian art and religious practices.

The image showcases 'Bharat Mata,' a notable painting by Abanindranath Tagore, created in 1905. This artwork emerged during the Bengal Partition of the same year and symbolizes the Swadeshi Movement and India's freedom struggle. Discovered in Kolkata, the painting features Mother India adorned in a saffron wrap, holding a book, white cloth, paddy, and a garland. These elements represent learning, simplicity, sustenance, and spirituality. Currently, the artwork is referenced on Art Pickles. Tagore's use of traditional Indian and pan-Asian styles, blending Mughal and Japanese influences, underscores his pivotal role in the Bengal School of Art and Indian nationalism.

The Amaravati Marbles, also known as the Elliot Marbles, are a significant collection of ancient sculptures and inscriptions currently housed in the British Museum in London. Originally recovered from the Amaravati Mahachaitya in Guntur, Andhra Pradesh, India, these artifacts date back to between 50 B.C. and 300 A.D. The marbles include various depictions, such as a drum slab illustrating the Birth of Buddha and a railing crossbar showing an enthroned reliquary. Discovered in 1797 by Major Colin Mackenzie, the collection was transported to the British Museum in the 1880s and remains an important representation of early Buddhist art.

Vaddadi Papaiah Illustration 2 captures the essence of Vaddadi Papaiah's artistic prowess. Born on September 10, 1921, in Srikakulam, Srikakulam district, Papaiah was a renowned painter and illustrator for Telugu magazines. This particular illustration, created around the 1960s, showcases his talent in bringing Indian mythology and Sanskrit plays to life. Papaiah's works were widely recognized for their vivid and expressive style, particularly in the children's magazine "Chandamama." Currently, the image can be viewed on Wikipedia. Papaiah's legacy endures through his significant contributions to Indian art and children's literature.

The 'Buddha Offering Protection' is a captivating ancient artifact from India, probably Bihar, dating back to the late 6th to early 7th century during the Gupta period. This exquisite copper alloy sculpture, standing 18.5 inches tall, portrays the Buddha in a serene and ethereal state, adorned in the simple uncut cloth of a monk. Iconographic features such as attenuated earlobes, a protruding skull, and webbed fingers signify his preordained sanctity. Currently, this masterpiece is housed at The Metropolitan Museum of Art in New York and can be viewed in Gallery 236. Visit [The Met](https://www.metmuseum.org/art/collection/search/38965) for more information.

A statue depicting Vaddadi Papaiah, showcasing his legacy as a prominent Indian painter and illustrator, inspired by mythology.

"Woman Plucking" by Kshitindranath Majumdar is a vintage painting print from India. This evocative piece, measuring 17 inches by 22 inches, captures the delicate act of a woman plucking flowers, a common yet serene theme in Indian art. The work is a product of the 1990-1999 period, reflecting the artist's mastery in blending traditional Indian aesthetics with a modern touch. Currently, this artwork is available for purchase on eBay, with the seller located in India. This print is in very good condition, offering a glimpse into the cultural heritage and artistic expressions of late 20th-century India.

"Half Empty or Half Full": This evocative artwork by A. Ramachandran was created in the 1980s. It reflects the artist's optimistic worldview, focusing on life's wonders. The piece is currently featured on **Rama Toshi Arya's Blog**. This artwork invites viewers to ponder their own perspectives on life's fullness.

The image features an exquisite artwork titled 'Making Madras Modern,' showcasing the pioneering legacy of K.C.S. Paniker, a renowned Indian artist. This masterpiece reflects the transformative art movement from Madras, India, and is emblematic of the mid-20th century, specifically created during the 1960s. Paniker's work is celebrated for its innovative blend of traditional Indian motifs with modernist expressions, capturing the cultural zeitgeist of the era. The artwork was originally discovered in Madras, now known as Chennai, and is currently housed at the prestigious DAG. This piece stands as a testament to Paniker's enduring influence on Indian modern art.

The Ellora Caves, located in Maharashtra, India, are a remarkable UNESCO World Heritage site renowned for their grand rock-cut architecture. Among these, Caves 1-12 hold significant importance, primarily representing the Buddhist phase of the complex. These caves, sculpted between the 6th and 8th centuries AD, showcase intricate carvings and impressive monastic spaces. The artwork within these caves reflects the spiritual and artistic endeavors of ancient Indian craftsmen. Presently, the Ellora Caves are maintained as a crucial archaeological site, attracting scholars and tourists worldwide, and are documented in detail on the Encyclopaedia of the Ajanta Caves website.

"The Art, Sculpture and Poetry of Sigiriya" showcases the magnificent Sigiri Frescoes, vibrant depictions of golden-skinned, bare-breasted women believed to be King Kashyapa's concubines or celestial nymphs. These intricate artworks were crafted during the 5th Century AD, reflecting the opulence and grandeur of the king's reign. Found at the Sigiriya Rock Fortress, these frescoes are complemented by the 'Mirror Wall', once so polished that the king could see his reflection. This ancient wall now bears poetic inscriptions from visitors, offering a glimpse into the historical and cultural fabric of the era. Currently, these artworks can be explored at Sigiriya, Sri Lanka.

The image showcases 'Sri Bala Murugan,' a masterpiece created by the renowned artist C. Kondaiah Raju. This exquisite artwork, published by J.B. Khanna, captures the divine essence of Bala Murugan, a revered deity in Hinduism. The intricate detailing and vibrant colors reflect the rich cultural heritage and spiritual significance of the subject. The artwork was discovered in contemporary Hindu art collections and represents a modern depiction inspired by ancient traditions. Currently, the image is featured on the Tumblr page Hindu Cosmos.

Dhanapal Autumn 2013 is an exquisite bronze sculpture titled 'Mother and Child' created by renowned Indian artist S. Dhanapal in 1957. Measuring 18.5 x 13 x 10 inches, it exemplifies Dhanapal's mastery in three-dimensional forms and is currently housed at Saffronart.

The "Balarama Sculpture, Patan, Gujarat" by Sharvari Mehendale, uploaded on June 26th, 2020, showcases a stunning piece of digital artwork. The sculpture is part of the inner wall of the intricately constructed stepwell, Rani ki vav, located on the banks of the Saraswati River in Patan, Gujarat, India. This stepwell, a memorial to an 11th-century AD King Bhimdev I, features seven levels of stairs and over 500 principal sculptures. The detailed carvings and ornate design reflect the rich history and heritage of ancient Hindu architecture. The color palette includes earthy tones like 241D19, 564E4B, A4A0A1, and DEDEE3, enhancing its historical ambiance.