The "Sena Sculpture" from the Banglapedia article is an exquisite example of Hindu artistic expression from the Sena dynasty, created between 1097 and 1223 AD. One notable piece is the silver image of Vishnu from Churain, Dhaka, which epitomizes the metal caster's skill during this period. This artifact was discovered in Churain, Dhaka, and currently resides in the Indian Museum, Calcutta. The Sena sculptures, often characterized by their elongated forms and exuberant decorative motifs, are a continuation of the Pala style. Despite some technical perfection, they exhibit a distinct worldly exuberance and sensuous beauty.
"Famous Indian Art Lady With a Lamp Glow of Hope" by S L Haldankar is a renowned artwork, capturing the serene beauty of an Indian lady holding a lamp. This exquisite painting, originally created in India, dates back to the early 20th century, reflecting the period’s cultural essence. The delicate brushwork and the glow of the lamp symbolize hope and tranquility, making it a timeless masterpiece.
The "Perfection of Wisdom in Eight Thousand Lines: Ashtasahasrika Prajnaparamita" is a decorated palm-leaf manuscript leaf from 1119, originating from Vikramashila Monastery in Bihar, India. This exquisite piece, measuring 5.4 x 56.2 cm, is created with ink and color on palm leaf. It represents an important Mahayanist Buddhist text and showcases the intricate artistry and religious devotion of the period. Currently, this artifact can be viewed on Alamy's website. The manuscript provides invaluable insights into the early tradition of illuminated palm-leaf manuscripts, reflecting the rich cultural and religious history of India.
The image depicts a captivating cave painting from the Ajantha and Ellora series, exemplifying Indian Traditional Art. These ancient masterpieces were discovered in the Maharashtra region of India, specifically within the renowned Ajantha and Ellora caves. Dating back to the period between the 2nd century BCE and the 6th century CE, these paintings are celebrated for their intricate detail and vibrant storytelling, illustrating religious and cultural narratives of the time. Currently, this artwork is preserved and displayed in its original location, providing insight into the rich history and artistic legacy of ancient Indian civilization.
The image titled 'Words and Symbols Series, 1968' by K.C.S. Paniker, a renowned Indian artist born in 1911 and who passed away in 1977, showcases an intricate composition from his famous series. This artwork was created in 1968, reflecting Paniker's exploration of symbolic and linguistic elements in his visual narratives. The piece was sold at an auction on September 13, 2022, through Artnet, a prominent online art marketplace. The vibrant and enigmatic motifs in this series exemplify Paniker's unique style and contribution to modern Indian art. The current location of the artwork post-auction is not specified on the source website.
The National Museum Pre Gupta Sculpture showcases an exquisite relic from the Maurya, Shunga, Satavahana, Kushana, and Ikshvaka periods. This artifact represents the rich artistic heritage that flourished before the Gupta Empire. The sculpture exemplifies the intricate craftsmanship and cultural narratives that prevailed during these ancient times.
This captivating painting portrays the moment of Buddha's enlightenment, capturing the essence of spiritual awakening. The rich colors and intricate details convey a sense of peace and transcendence, inviting viewers to reflect on their own spiritual journeys. The artwork encapsulates the core philosophy of Buddhism, making it a significant piece within the Ajanta Caves, where art and spirituality intertwine to create profound narratives.
The image titled 'Bharat Mata' by Abanindranath Tagore, created in 1905, is a significant piece of Indian art. Found in Kolkata, this watercolour painting is now housed in Wikimedia Commons. Abanindranath Tagore, born in Jorasanko Thakurbari, Kolkata, was a pivotal figure in Indian art, known for his role in the Bengal School movement. The painting features a pastoral deity holding symbols of Indian motherhood: a white cloth, a book, a sheaf of paddy, and prayer beads. These elements represent clothing, learning, food, and spiritual salvation, embodying Tagore's vision of a spiritual Indian identity.
The image titled "A scene from Omar Khayyam," created by Abanindranath Tagore in 1905, is a fine example of his watercolor artistry. This artwork, measuring 7.75 inches by 5.5 inches, captures a lyrical moment from the famous Persian poem. The painting showcases Tagore's signature subtle brush strokes and dramatic expression, highlighting his maturation as an artist. Currently housed at the Calcutta Museum in Kolkata, India, this piece is a testament to Tagore's ability to blend Indian and Persian influences, creating a unique and evocative visual narrative. The piece reflects Tagore's contribution to the Bengal School of Art and his quest for an authentic Indian visual identity.
Recently unearthed in Baghanki village, Manesar, three bronze statues believed to be over 400 years old depict Lord Vishnu and Goddess Lakshmi, alongside a statue of both deities seated together. These statues were discovered during excavation work for a new house, leading to their recovery by local authorities and the Haryana archaeological department. The findings have sparked significant interest, with plans for their display in a museum, highlighting the rich cultural heritage of the region and the historical significance of these sculptures.
An intricate stone sculpture of a royal couple with attendants from the Satavahana period.
The image depicts a "Throne Leg Depicting Gajasimha," an ancient artifact discovered at the Vikramshila Monastery in Bihar, India. This exquisite piece, dating back to the Pala period (8th-12th century CE), features intricate carvings of a gajasimha— a mythical lion-elephant hybrid symbolizing strength and power. Currently, this artifact is housed in the Vikramshila Museum. The detailed craftsmanship highlights the rich cultural and artistic heritage of the region. This artifact serves as a testament to the sophisticated artistry of the Pala period and provides invaluable insights into the religious and cultural practices of ancient India.
The Mithuna terra cotta sculpture is a captivating artifact from the Gupta period, dating back to the 4th to 6th centuries CE. This exquisite piece of art embodies the elegance and sophisticated craftsmanship characteristic of Gupta India, a time renowned for its significant contributions to Indian art and culture. The sculpture was discovered in India, where it served as a testament to the rich aesthetic sensibilities of the era. Mithuna figures, often depicted as amorous couples, were common in Gupta art, symbolizing the ideal of love and harmony. This particular sculpture is crafted in terra cotta, a medium that was favored for its versatility and warm, earthy tones. Currently, the Mithuna terra cotta sculpture is housed in Honolulu, where it continues to be appreciated for its historical significance and artistic beauty. Its presence offers a glimpse into the past, highlighting the enduring legacy of Gupta artistry.
The artwork titled "VIJAYWARGIYARG96NY" by Ramgopal Vijaivargiya, created in the 1940s, is a poignant watercolor wash on paper, measuring 40.0 x 27.0 inches. This piece, currently housed at the DAG, depicts the momentous renunciation of the world by Siddharth Gautam, who later became the Buddha. The scene captures the emotional turmoil of his wife, Yashodhara, as she sits in despair while her husband walks away. Vijaivargiya, a master of the wash technique from the Bengal School, trained under Sailendranath De, skillfully conveys the deep emotions using tender hues, exemplifying his storytelling prowess.
The "Standing Buddha Post Gupta Period" is a bronze figure from India, crafted in the 7th century during the Post-Gupta period. This exquisite sculpture, featuring a finely cast Buddha standing in contrapposto on an integral lotus-petal base upon a square plinth, exemplifies the artistic prowess of the era. The Buddha's right arm extends towards the earth with an open palm, while the left hand grasps the hem of his robe, showcasing intricate details. This ancient artifact was found in India and is currently listed on MutualArt. It was previously part of Steven Finkelman's collection at The Buddha Gallery in California, USA, in 2014.
The image showcases the Antikythera Mechanism, an extraordinary artifact discovered in the Antikythera shipwreck off the coast of a small Greek island.
The image titled 'Emperor Jahangir Weighs Prince Khurram' depicts a significant historical scene showcasing Mughal Emperor Jahangir weighing his son, Prince Khurram, who later became Shah Jahan, against gold and silver. This ceremonial event highlights the royal customs of the Mughal court. The artwork originates from the Indian subcontinent, likely created during the early 17th century, capturing the opulence and grandeur of the Mughal era. The painting is housed on Wikimedia Commons, offering a glimpse into the rich cultural heritage and intricate artistry of the Mughal period, reflecting their sophisticated societal rituals and artistic achievements.
