This captivating sculpture, titled "Vishnu," hails from 10th-11th century Punjab, India, and is currently on view at The Met Fifth Avenue in Gallery 241. Crafted from sandstone, the piece stands 43.5 inches tall, 25.63 inches wide, and 10 inches deep. Vishnu, a principal deity in Hinduism, is intricately detailed, highlighting the extraordinary craftsmanship of the period. The sculpture, classified under Rogers Fund, 1968, is part of The Met's Open Access collection, allowing for unrestricted use and distribution. Explore more about this magnificent artwork on The Metropolitan Museum of Art's website. Accession Number: 68.46.
The image titled "The Pala Empire" features the "Lalita Statue," an exquisite stone (basalt) sculpture depicting the goddess Lalita flanked by Gaṇeśa and Kārttikeya. This ancient artifact was discovered in the Pala Empire region and dates back to a period characterized by the flourishing of art and culture in eastern India. The statue showcases the goddess standing in front of a typically elaborate eastern Indian throne-back and holding a mirror. This remarkable piece is currently housed in Room 33 of the British Museum in London. The image was captured on July 15, 2010, and is available on Wikimedia Commons.
The artifact depicted in the image titled "National Museum Pre Gupta Sculpture 2" originates from India and belongs to the ancient period preceding the Gupta Empire.
The image titled 'intan_wreck_1.png' depicts an ancient artifact discovered at the Intan shipwreck site, located in the Java Sea. This artifact dates back to the 10th century, indicative of the maritime trade that flourished during that period. The find location, the Intan wreck, is significant for its collection of Southeast Asian and Chinese artifacts, reflecting the rich cultural exchanges of the time. Currently, this artifact, along with others recovered from the site, is held in a museum or similar institution dedicated to preserving such historical treasures.
The image titled "The Art, Sculpture and Poetry of Sigiriya" showcases the exquisite Sigiri Frescoes located at Sigiriya in Sri Lanka. Created during the 5th century AD under the reign of King Kashyapa, these artworks adorn the walls of the ancient rock fortress. The frescoes depict golden-skinned, bare-breasted women, believed to represent the king's concubines or celestial nymphs. Currently, the image and detailed information about these cultural treasures can be found on the Tales of Ceylon website. The frescoes exemplify the artistic grandeur envisioned by King Kashyapa, aspiring to emulate the mythical city of Alakamanda.
The artwork titled "Indian Miniature Art - Rajput Painting - King Mahmud Gawan Of Bahmani" captures the regal presence of King Mahmud Gawan, a prominent figure from the Bahmani Kingdom. This exquisite piece of Rajput painting originates from India, embodying the rich cultural and artistic heritage of the region during its creation period. The intricate detailing and vibrant colors reflect the distinctive style of Indian miniature art, known for its meticulous craftsmanship. Currently available through the Tallenge Store, this piece offers a glimpse into the historical splendor of the Bahmani era while showcasing the timeless beauty of Rajput artistry.
The artwork titled 'Shri Chaytania And Basudeb' by Kshitindranath Majumdar, created using watercolour wash on paper, is a poignant depiction inspired by the artist's devotion to Sri Chaitanya's Vaishnavism. Measuring 14.0 x 10.0 inches (35.6 x 25.4 cm), this piece showcases the profound spiritual connection between Sri Chaitanya and his follower Vasudev Sarvabhauma. Majumdar, a pioneer among Abanindranath Tagore's students, employs soft hues to evoke a luminous, ethereal quality. Currently, this artwork is part of a collection owned by a Jaipur-based collector and is available through DAG. For more details, visit DAG.
The image depicts the **Coat of Arms during Laxmana Sena's reign of the Sena dynasty**, a Hindu dynasty that ruled the Bengal region from 1070 CE to 1230 CE. This artifact is significant as it represents the emblem used during the reign of Lakshmana Sena, one of the notable rulers of the Sena dynasty. The dynasty's roots trace back to the south Indian region of Karnataka, and it reached its peak under rulers such as Vijaya Sena and Ballala Sena. The artifact was found in Bengal and is currently hosted on the **Wikipedia** website, which provides detailed historical context about the dynasty's rule and contributions.
The image titled "Statues Punjab India" available on Alamy showcases the rich heritage and intricate artistry of Punjab, India. The depicted statue, possibly of a deity such as Vishnu, is crafted from sandstone, highlighting traditional Indian craftsmanship. This public domain image, part of The Met's Open Access policy, allows free usage and modification. The Punjab Ancient and Historical Monuments and Archaeological Sites and Remains Act, 1964, protects such antiquities, ensuring they remain in their original locales unless formally permitted for relocation. The law also imposes penalties for the misuse or unauthorized removal of these invaluable historical artifacts.
"Untitled (Lady with Dove)" is a watercolour on paper by Abanindranath Tagore, measuring 11.25 x 6.5 inches (28.5 x 16.8 cm). This delicate artwork, created by the father of India's modern art, depicts a serene lady holding a dove, embodying the artist's signature style that blends lyrical settings with subtle brush strokes. This piece originates from a private collection in Dubai and was auctioned by ARTIANA. Abanindranath Tagore, born in 1871 in Kolkata, was a pivotal figure in the Bengal school of Indian painting, known for his poetic depth and sensitivity.
The image titled 'Intan Wreck Underwater 3' captures the remnants of a remarkable ancient artifact discovered at the Intan shipwreck site. This intriguing find location is situated near the Java Sea, where the wreck was unearthed, revealing a treasure trove of artifacts dating back to the 10th century. The Intan Wreck is renowned for its cargo of exquisite ceramics, metals, and other trade goods, offering a glimpse into the flourishing maritime trade of the era. The image, currently housed at the Maritime Archaeology Museum, showcases the enduring legacy of ancient maritime history and its pivotal role in cultural exchanges across regions.
The Gupta period, often referred to as the Golden Age of India, is characterized by significant advancements in arts, science, and culture, with numismatic art being one of its notable achievements. The coins from this era, often made of gold and silver, feature intricate designs, inscriptions, and depictions of deities and rulers, reflecting the socio-political environment of the time. This image captures a collection of coins that symbolizes the wealth and artistic excellence of the Gupta Empire, showcasing the high standards of craftsmanship and the importance of coinage in trade and economy during the period.
The image features a captivating piece titled "Village Life" by the renowned Indian artist Vaddadi Papaiah. This artwork, originating from Andhra Pradesh, beautifully captures the essence of rural Indian life with vivid colors and intricate details. Created in the mid-20th century, Papaiah's paintings are celebrated for their portrayal of traditional Indian culture and daily activities. This particular piece, showcasing villagers engaged in various tasks against a lush, pastoral backdrop, is housed in a private collection. The image highlights the artist's exceptional ability to bring to life the vibrancy and simplicity of village life, making it a treasured artifact of Indian art history.
The 'Standing Buddha Offering Protection' is a remarkable red sandstone sculpture from the Gupta period, dating back to the late 5th century. Originating in Mathura, Uttar Pradesh, India, this piece exemplifies the peak of Buddhist art during a time of significant expansion. The Buddha is depicted in monk's robes, adorned with a large halo and auspicious markings that signify his enlightenment. This iconic representation set a standard for Buddha imagery across Asia. Currently, this artifact is housed at The Metropolitan Museum of Art in New York. For more details, visit [The Met's collection page](https://www.metmuseum.org/art/collection/search/38198).
The Abanindranath Tagore Gallery 2 is another exhibition space at ICCR Kolkata. Featuring various works by Tagore, this gallery contributes to the appreciation of his contributions to Indian art. It is designed to provide a comprehensive view of Tagore’s artistic journey.
The image depicts a stunning collection of Ceramic Cargo from Shipwrecks, unearthed from the famed Intan Wreck. This remarkable assemblage showcases the intricate artistry of the Tang Dynasty, dating back to the 10th century. Discovered off the coast of Southeast Asia, these pieces offer a glimpse into the flourishing maritime trade routes of the time. The ceramics, characterized by their exquisite glazing and detailed motifs, highlight the cultural exchange prevalent during this period. Currently, this fascinating collection is housed at the Southeast Asia Maritime Archaeology Museum, where it continues to captivate historians and enthusiasts alike.
The image titled "Ajanta_Ellora_buddha_statue_aurangabad_maharastra.jpg" features a stunning sculpture of Buddha from the Ajanta and Ellora caves, which are significant sites of ancient rock-cut architecture in Maharashtra, India. This sculpture showcases the artistic prowess of the Vakataka period, around the 5th to 6th century AD, highlighting the spiritual and cultural significance of Buddhism during that era. The intricate carvings and serene expressions of the Buddha reflect the deep philosophical and artistic traditions that flourished under the Vakataka dynasty. Today, these caves serve as a vital link to India's rich historical and artistic heritage.
The "Standing Buddha," created between the 5th and 6th centuries, is a remarkable bronze sculpture from the Gupta-Vakataka dynasty. This ancient artifact was originally discovered in India and represents the exquisite craftsmanship of that era. The statue is currently housed at the National Museum of New Delhi, where it continues to draw the admiration of visitors. This illustrious piece of art captures the serene and enlightened essence of Buddha, making it a significant cultural and historical treasure. For more information and visual appreciation, you can visit the source website on Reddit: [Standing Buddha](https://www.reddit.com/r/ArtefactPorn/comments/gznpvv/standing_buddha_5th_6th_century_bronze/).
'Ganesh Janani,' painted by Abanindranath Tagore in 1908, is a significant artwork rooted in Indian cultural themes. This painting was created during the Bengal Renaissance, a period that Tagore significantly influenced through his founding of the Bengal School of Art. 'Ganesh Janani' was discovered in Calcutta, India, where Tagore spent much of his life. The artwork depicts a divine maternal figure with the Hindu god Ganesha, characterized by Tagore's unique blend of Mughal and Rajput artistic styles. As of now, this painting is preserved and displayed at various exhibitions and galleries, contributing to the rich heritage of modern Indian art.
The image titled "Sarada Charan Ukil" features the renowned artist born on November 14, 1888, in Bikrampur, near present-day Dhaka. Ukil later moved to Calcutta and studied at the Government Art School under Abanindranath Tagore. He relocated to New Delhi in 1918 and founded the Sarada Ukil School of Art on Janpath. Ukil is celebrated for his series on the life of Buddha, with the original painting "Buddha in Death Bed" housed in the Salarjung Museum, Hyderabad. His works are known for their religious and mythological themes and soft wash technique. The image is currently available on the DAG World website.
The "Antique Stone Sculpture of Buddha" showcases an exquisite piece of art seized from a foreign national at the Attari border in Punjab. This sculpture is a significant artifact that reflects the historical and cultural significance of Buddhist art in the region. The intricate details and craftsmanship highlight the artistic techniques of the era, making it a noteworthy example of ancient Indian sculpture. This piece is currently under investigation to ensure its preservation and to determine its rightful ownership.