The image depicts the Sigiriya Frescoes, found in the Sigiriya Rock Fortress in Sri Lanka. Created during the reign of King Kasyapa II, around the 5th century CE, these ancient wall paintings are a celebrated aspect of Sri Lankan heritage. Adorning the western face of the rock, the frescoes illustrate golden-skinned, bare-breasted women adorned with intricate, gem-studded jewelry, believed to represent either celestial nymphs or members of the royal harem. Currently, these frescoes remain an integral part of Sri Lanka's cultural identity and are preserved as a vital historical artifact. For more details, visit ARTRA Magazine.

This exquisite Buddha sculpture hails from the illustrious Gupta period, dating back to the 5th century. Unearthed in the historic locale of Sarnath, this artifact embodies the serene grace and spiritual depth characteristic of Gupta artistry. The sculpture presents the Buddha in a meditative pose, reflecting the period's artistic focus on tranquility and divine enlightenment. Currently housed and preserved at SuperStock, this piece continues to captivate viewers with its intricate craftsmanship and historical significance. The sculpture offers a profound glimpse into the religious and cultural landscape of ancient India, serving as a testament to the enduring legacy of the Gupta Empire.

The image features a Buddha statue in the Mahabodhi Temple, Bodh Gaya, India, the revered site of Lord Buddha's enlightenment. This exquisite statue, captured in 2005, is a significant artifact that embodies the spiritual essence of Buddhism. The Mahabodhi Temple, a UNESCO World Heritage site, is located in Bodh Gaya, India, and the statue is a focal point for pilgrims and visitors from around the globe. The current image can be found on Alamy's website, contributed by Paul O'Connor, under the image ID AN4WBW. This statue exemplifies the serene and contemplative nature of Buddhist art and worship.

The National Museum Pre Gupta Sculpture showcases an exquisite relic from the Maurya, Shunga, Satavahana, Kushana, and Ikshvaka periods. This artifact represents the rich artistic heritage that flourished before the Gupta Empire. The sculpture exemplifies the intricate craftsmanship and cultural narratives that prevailed during these ancient times.

The **Untitled** artwork by **Ramgopal Vijayvargiya** is a captivating watercolour wash on paper, created in the 1940s. This piece measures 40.0 x 27.0 inches and exemplifies the Bengal School's wash technique, reflecting Vijayvargiya's training under Sailendranath De. The artist's mastery of Indian aesthetic theory is evident in the tender hues used to depict Siddharth Gautam's renunciation, later known as Buddha. The poignant expression of Yashodhara's grief is central to this narrative. This piece was discovered in Rajasthan and currently resides in a private collection in New Delhi. More details can be found on the [Artnet website](https://www.artnet.com/artists/ramgopal-vijaivargiya/).

An exquisite artifact from the Sena dynasty representing Brhaspati, the planet Jupiter's personification, showcasing sophisticated artistry and religious symbolism.

The image titled "Evening Sale | Mumbai, Live -Feb-16, 2017 -Lot 39 -Ramgopal ..." depicts a poignant scene from the 1940s, crafted using gouache and watercolour wash on paper. This artwork, measuring 40 x 27 inches, captures the emotional moment of Siddharth Gautam's renunciation, highlighting Yashodhara’s grief. Born in Baler, Rajasthan in 1906, Vijaivargiya was influenced by the Bengal School of painting. The piece is currently part of a private collection in New Delhi and was acquired from the artist's great-grandson. It was featured in the Evening Sale auction by Saffronart in Mumbai on February 16, 2017, where it fetched Rs 32,40,000 (~$49,091).

Departure of Prince Siddhartha is a vivid color lithograph that captures the moment Prince Siddhartha leaves on his spiritual journey. The artwork, rooted in ancient Buddhist traditions, was discovered in the region associated with the historical Buddha. Currently, this piece is archived on Media Storehouse.

"Woman Plucking" by Kshitindranath Majumdar is a vintage painting print from India. This evocative piece, measuring 17 inches by 22 inches, captures the delicate act of a woman plucking flowers, a common yet serene theme in Indian art. The work is a product of the 1990-1999 period, reflecting the artist's mastery in blending traditional Indian aesthetics with a modern touch. Currently, this artwork is available for purchase on eBay, with the seller located in India. This print is in very good condition, offering a glimpse into the cultural heritage and artistic expressions of late 20th-century India.

The "Dancing Ganesha" is an exquisite artifact originating from the Sena dynasty in India, dating back to around 1100 CE. This remarkable piece was discovered in the region governed by the Sena dynasty, which is present-day West Bengal. Crafted from black chlorite, the sculpture stands as a testament to the intricate artistry and religious significance of the period. Currently, the "Dancing Ganesha" is housed in the Cleveland Museum of Art, specifically within their Indian and South East Asian Art collection. Its accession number is 1977.177, acquired through the Edward L. Whittemore Fund. This artifact is an important part of the museum's collection, symbolizing the rich cultural heritage of ancient India.

This image showcases a stunning sculpture from the Vakataka dynasty, highlighting the intricate artistry and cultural significance of this ancient Indian era. The craftsmanship reflects the sophisticated techniques employed by artists in creating lifelike representations of deities and figures from mythology. Such sculptures played a pivotal role in religious practices and were essential in the propagation of art and culture during the Vakataka period.

The "National Museum Standing Buddha" is an exquisite ancient artifact that captivates with its serene beauty and historical significance. Unearthed in the region of Mathura, this remarkable sculpture dates back to the Kushan period, approximately around the 1st to 3rd century CE.

This image beautifully captures the intricate relationship between the cave architecture and the paintings within the Ajanta Caves. The detailed carvings and frescoes highlight the remarkable craftsmanship that defines this historic site. The juxtaposition of the architectural elements with the artistic illustrations showcases the holistic approach taken by ancient artisans, making Ajanta a marvel of cultural heritage.

This creative painting reflects the artistic spirit of the Vakataka dynasty, characterized by vibrant colors and intricate designs. The painting serves as a testament to the rich cultural landscape of ancient India, where art was not just a visual medium but a way to express spirituality and devotion. The details captured in this piece evoke a sense of nostalgia for the artistic traditions that flourished during this era.

The image titled "Punjab: Antique stone sculpture of Buddha seized in Attari – India TV" features a remarkable stone sculpture of Buddha, highlighting the intricate craftsmanship typical of ancient Indian sculpture. This artifact, seized during a customs operation, underscores the importance of preserving cultural heritage and combating the illegal trade of antiquities. The sculpture serves as a representation of the rich Buddhist heritage in Punjab, reflecting the artistic styles and religious significance of the time. This image not only captures the artistry of the sculpture but also raises awareness about the ongoing efforts to protect historical artifacts.

Dhanapal Autumn 2013 is an exquisite bronze sculpture titled 'Mother and Child' created by renowned Indian artist S. Dhanapal in 1957. Measuring 18.5 x 13 x 10 inches, it exemplifies Dhanapal's mastery in three-dimensional forms and is currently housed at Saffronart.

The Jataka Image in Ajanta is a captivating mural that showcases the rich artistic heritage of ancient India. Located in Cave 1, this painting features Bodhisattvas Padmapani and Vajrapani, surrounded by intricate motifs and divine symbols. The vibrant colors and detailed features reflect the profound narrative of the Jataka tales, illustrating the life and teachings of Buddha. This masterpiece not only serves as a religious icon but also as an embodiment of the artistic finesse that flourished in the Ajanta caves, highlighting their significance as a UNESCO World Heritage site.

The Goddess Ganga is an exquisite sculpture from the Gupta period, discovered at a site in India. This ancient artwork, crafted between the 4th and 6th centuries CE, depicts the river goddess standing elegantly on a crocodile, symbolizing her dominion over water. The figure is rendered in a realistic style, showcasing the Gupta artists' skill in achieving balance between beautiful poses and spiritual expressions. Currently, this significant piece can be viewed on the IAS Gyan website. The sculpture serves as a prime example of the artistic excellence prevalent during India's Golden Age under the Gupta Empire.

The "Radhika painting by M. A. R. Chughtai" is a poignant artwork featuring a woman in side profile, with a bare breast peeking out from her clothes and disheveled hair. She is seen lifting her hair, seemingly to tie it to a _jaali_ (screen) as a sacred offering for the return of her lover. The design of the screen harmonizes with the pattern on her clothes. The setting is distinctly Islamic, with a lamp providing not just light but also a ray of hope. This painting is created during the period of 1897–1975, is currently featured on the History of Indian Art blog.

The "Mohini" sculpture is a breathtaking piece of ancient Indian art, originating from the rich cultural landscapes of Karnataka. Created during the Chola period, dating back to the 10th century, this exquisite artifact exemplifies the artistic mastery of its era.

The August 2023 Treasure of the Month, featured by the 1715 Fleet Society, is a remarkable fully intact olive jar. This ancient artifact was recovered from the Douglass Beach wreck site near Fort Pierce, Florida, part of the 1715 Spanish Fleet. Dating back to the Middle Style period (ca. 1580-1780), the jar exemplifies the distinctive egg-like form and thick, raised mouth typical of the era. Such jars were used for transporting foodstuffs and sometimes concealing silver coins. Adorned with coral encrustations, this 10-inch tall, 8-inch wide vessel is now highlighted on the 1715 Fleet Society's website.